ST.One Line.No Apology. Total Detonation. Landman crossed from drama into cultural flashpoint in a single, unforgettable moment. Billy Bob Thornton’s oil tycoon didn’t just insult daytime TV — he lobbed a verbal grenade straight into America’s culture wars, dismissing The View as “a bunch of pissed-off millionaires bitching.” No softening. No walk-back. Just a sentence sharp enough to split the room in half. Within minutes, the clip was everywhere. Applause from some. Outrage from others. Endless arguments over whether it was satire, truth-telling, or pure provocation. And that’s the point. This wasn’t shock for shock’s sake. It was Taylor Sheridan doing what he does best: dragging unresolved national tension into the open and daring viewers to sit with it. Landman stopped being just a show about oil, power, and money — it became a mirror people didn’t want held up to them. Love it or hate it, the line landed. And it isn’t going away.

One Line. No Apology. Total Detonation.

Landman crossed from drama into cultural flashpoint in a single, unforgettable moment.

Billy Bob Thornton’s oil tycoon didn’t just insult daytime TV — he lobbed a verbal grenade straight into America’s culture wars, dismissing The View as “a bunch of pissed-off millionaires bitching.”

No softening.

No walk-back.

Just a sentence sharp enough to split the room in half.

Within minutes, the clip was everywhere.

Applause from some.

Outrage from others.

Endless arguments over whether it was satire, truth-telling, or pure provocation.

And that’s the point.

This wasn’t shock for shock’s sake.

It was Taylor Sheridan doing what he does best: dragging unresolved national tension into the open and daring viewers to sit with it.

Landman stopped being just a show about oil, power, and money — it became a mirror people didn’t want held up to them.

Love it or hate it, the line landed.

And it isn’t going away.

January 22, 2026 – by newstodayll – Leave a Comment

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Thornton’s rugged oil exec also told Sam Elliott’s T.L. Norris that the likes of Joy Behar and Whoopi Goldberg “hate millionaires.”

Billy Bob Thornton’s Tommy on Landman; Sarah Haines (top), Joy Behar (bottom), and Whoopi Goldberg on The View.
Credit: Paramount; ABC/Jose Alvarado

The View is under fire from the Taylor Sheridan TV universe.

On the latest episode of Sheridan’s gritty oil prospecting drama Landman, Billy Bob Thornton’s gruff crisis fixer and oil exec Tommy Norris takes a shot at the long-running daytime talk show.

Speaking with his estranged father T.L. (Sam Elliott) over the phone, Tommy suggests the bored retiree find some new way of filling his time after moving in with his son.

“I don’t know what to do,” T.L. bemoans.

“Well s—, do whatever you want to, read a book or watch TV, watch one of those daytime talk shows, like The View or something.”

T.L. innocently asks, “What’s The View?”

Prompting Tommy to launch into a casual yet brutal takedown.

Billy Bob Thornton on Landman.
paramount plus

“Bunch of pissed off millionaires bitching about how much they hate millionaires, [President Donald] Trump, and men, and you, and me, and everybody else they got a bee up their ass about.”

However savage Tommy is in his assessment, he does at least qualify his remarks by calling The View “pretty funny.”

Entertainment Weekly has reached out to a representative for The View for comment.

Landman is the seventh show the prolific Sheridan has premiered since Yellowstone first made waves in 2018.

It may be the latest show to enter the Sheridan-verse, but as yet it bears no direct connection to Yellowstone or its many spinoffs, aside from featuring two cast members who previously appeared on those spinoffs (Michelle Randolph appeared in 1923 and Elliott starred in 1883).

The current cast of The View — Whoopi Goldberg, Joy Behar, Sara Haines, Ana Navarro, Sunny Hostin, and Alyssa Farah Griffin — have rarely ventured commentary on Sheridan or his TV universe, which tends to portray rugged individualists who at times espouse conservative values.

But panelists like Goldberg and Behar comment daily on American conservatism and frequently critique Trump.

In November, the White House slammed Haines, Hostin, and Griffin’s discussion of the files related to the convicted sex offender Jeffrey Epstein and their many mentions of Trump, calling them “Trump-deranged wackos.”

“The Sound of Silence” Reimagined in Viking Style Captivates Disturbed’s Audience

In the long history of folk-rock, few songs have carried as much cultural weight as Simon & Garfunkel’s The Sound of Silence.

Over the decades, countless artists have put their own spin on the piece, yet Disturbed’s dramatic 2015 version shifted the song into an entirely new realm, blending metal intensity with orchestral grandeur.

That interpretation later inspired Norwegian vocalist Kristoffer Sørensen, who in 2023 delivered his own breathtaking performance on The Voice Norway, mesmerizing audiences with his raw, Viking-like presence.

Kristoffer quickly earned the moniker “the singing Viking,” a reflection of both his commanding stage persona and his deep, thunderous voice.

Sitting on a simple stool, he began the performance with a restrained and almost whispered approach, accompanied only by soft piano chords.

This vulnerability immediately pulled the audience into the performance, creating a sense of intimacy that held their attention.

Viewers later remarked that the opening notes alone were enough to leave them spellbound.

As the performance unfolded, the transformation in dynamics became its defining feature.

What started as delicate and contemplative soon erupted into an explosion of vocal power as Kristoffer rose to his feet.

His delivery intensified with each verse, his gritty tone filled with controlled ferocity.

The arrangement built steadily, enriched with heavy guitars and symphonic layers, producing a cinematic quality that reminded many of Disturbed’s celebrated version while still being unmistakably Kristoffer’s own creation.

Yet it wasn’t only the sound that captivated; it was the commanding presence Kristoffer brought to the stage.

Tall and imposing, he carried himself with the aura of a Norse warrior, channeling deep emotion through every gesture and expression.

The authenticity in his delivery gave the performance an edge that felt like storytelling rather than simple singing.

Judges and fans alike acknowledged that what they had witnessed transcended a cover—it became a visceral experience layered with emotion and theatricality.

Though his take on The Sound of Silence was widely seen as the pinnacle of his season, Kristoffer demonstrated a consistent ability to reinterpret familiar songs with daring originality.

His rendition of Christina Perri’s Jar of Hearts offered a striking contrast to the delicate ballad known from the radio.

By infusing symphonic flourishes and heavier instrumentation, he transformed the song into a sweeping, larger-than-life epic that turned heartbreak into something cinematic and commanding.

This inventive approach defined Kristoffer’s presence on the show.

Week after week, his performances went far beyond imitation, reimagining classics in ways that surprised and thrilled the audience.

Every choice—whether vocal, instrumental, or emotional—was designed to rebuild the atmosphere of a piece rather than merely repeat it.

In doing so, he carved out a reputation as an artist who could take beloved songs and unveil new dimensions within them, keeping listeners eager for more.

The devotion Kristoffer has built with his fanbase stems from this fearless pursuit of reinvention.

Audiences admired how he resisted the safer route of straightforward covers, choosing instead to explore contrasts, drama, and power.

His approach signaled his intent not to replicate, but to innovate—making every performance feel like an unveiling of something new.

Through this, he earned recognition not only as a contestant but as an artist with vision and originality.

Following his time on television, Kristoffer carried the momentum into new artistic ventures, most notably with his band HAVARI.

The exposure from The Voice drew thousands of new listeners who were eager to hear how his unique blend of rock, metal, and symphonic textures translated into original work.

The band’s growing popularity reflected how his reinterpretations on stage had sparked a broader appetite for his creative style, turning casual viewers into loyal fans.

Through every project, Kristoffer Sørensen has shown how timeless songs can be reborn when filtered through bold artistry and authenticity.

His blend of Nordic power, dramatic storytelling, and emotive delivery ensures that each performance leaves a lasting impression.

Whether revisiting classics like The Sound of Silence, reshaping contemporary hits such as Jar of Hearts, or composing with HAVARI, Kristoffer has built a musical identity that respects tradition while fearlessly redefining it for modern audiences.