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LDT. The All American Halftime Show vs. Bad Bunny: A Cultural Flashpoint at Super Bowl LX

As the Super Bowl LX approaches in February 2026, the halftime show has become far more than a moment of entertainment — it has become a battleground for competing visions of American identity. The NFL’s choice of Bad Bunny, a Puerto Rican global superstar who performs primarily in Spanish, has sparked a fierce debate about culture, inclusion, and what constitutes “American” entertainment.

In response, Turning Point USA (TPUSA) announced the All American Halftime Show, a counter-programming event designed to run concurrently with the official show. TPUSA frames the event as a celebration of “faith, family & freedom,” promoting English-language performances, country, rock, and Americana — what organizers describe as the “true American spirit.”


Supporters: A Stand for Tradition

Proponents of the All American Halftime Show argue that the NFL’s choice represents a break with tradition. For them:

  • The Super Bowl halftime should reflect mainstream American culture, rooted in English-language music and patriotic themes.
  • A Spanish-language performance on the nation’s largest stage sidelines a traditional notion of Americana.
  • By organizing an alternative event, TPUSA allows audiences to “reclaim” the halftime show in line with what they see as cultural heritage.

Supporters see the initiative not as exclusionary, but as a necessary counterbalance — a way to ensure that the Super Bowl stage represents the values of a significant segment of the audience.


Critics: Politicizing Pop Culture

Critics argue that the backlash and the All American Halftime Show are rooted in exclusion rather than celebration:

  • Bad Bunny, a U.S. citizen from Puerto Rico, embodies a valid facet of American culture. Denying representation on this stage implicitly marginalizes Latino and Spanish-speaking communities.
  • The counter-event politicizes what has traditionally been a unifying entertainment moment, turning a pop-cultural celebration into a cultural referendum.
  • Critics see the framing of “All American” as a thinly veiled rejection of diversity, masking intolerance under the guise of patriotism.

The Broader Debate: Identity, Representation, and Entertainment

This controversy illustrates a larger conversation about America in 2025:

  • Who defines “American” culture? Is it determined by tradition, language, or evolving demographics?
  • How should entertainment balance inclusion and audience expectations? Globalized media and a diverse population make the question more urgent than ever.
  • Can the Super Bowl remain neutral, or is neutrality impossible? Both sides claim to be preserving core values — yet the event has become a symbolic battlefield for identity politics.

What to Watch

  • Lineup announcements: Will TPUSA attract performers with mainstream appeal, or will it remain niche?
  • Public and media response: Will audiences embrace the counter-event, or dismiss it as politically motivated?
  • Cultural impact: The outcome could set a precedent for how major entertainment events balance representation, politics, and tradition.

The Verdict

The clash between Bad Bunny and the All American Halftime Show goes beyond music. It’s a debate over identity, inclusion, and what it means to be “American” in a country that is increasingly diverse yet politically polarized. As February approaches, the Super Bowl isn’t just a football game — it’s a stage where America’s cultural tensions are playing out live.

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